OVER THE REAL SELECTION CURATED BY VERONICA D’AURIA, LINO STRANGIS, MAURIZIO MARCO TOZZI
| Jean-Michel Rolland (FRA) | Traces:Birds | 2018 | 1′ |
| Shir Handelsman (ISR) | Recitative | 2019 | 4’57 |
| Vertov Project (F.Leoni, D.Mastrangelo) (ITA) | Alzaia(S) | 2019 | 4’10 |
| Dehors/Audela (S. Insana, E. Turco Liveri) (ITA) | Mezzanine_act1 | 2019 | 3’35 |
| Nacho Recio (ESP) | A rose behind the mask | 2018 | 7′ |
| Barbara Brugola (ITA) | To see the sky dance | 2018 | 3’30 |
| Anna Beata Baranska (POL) | Hidden Memories | 2019 | 3’09 |
| Christina Maj Lundqvist (DNK) | Submerge 3 | 2019 | 2’24 |
| Hiroya Sakurai (JPN) | The Stream IX | 2018 | 6′ |
| Yossi Galanti (ISR) | Disrupted Landscape #6 | 2018 | 2’16 |
| Silvia De Gennaro (ITA) | Travel Notebooks: Marseille, France | 2018 | 2’22 |
| Patrick Jenkins (CAN) | The Museum of lost dreams | 2019 | 7’23 |
| Deborah Kelly (AUS) | The Gods of Tiny Things | 2019 | 5’26 |
| Francesca Fini (ITA) | Skinned | 2018 | 7′ |
| Maria Korporal (NLD) | Good Trip, Bad Trip | 2019 | 4’25 |
| Jing Wang & Harvey Goldman (CHN/USA) | Strange Attractors | 2020 | 5’16 |
| Eric Souther (USA) | Ritual and Repetition | 2018 | 8’30 |
| Igor Imhoff (ITA) | Bleed | 2020 | 4’40 |
| Vera Sebert (DEU) | Liquid traits of an image apparatus | 2019 | 7’22 |
| Peter Klausz (HUN) | This not a test | 2019 | 4′ |
“MOVING THE CHANGE” CURATED BY WILFRIED AGRICOLA DE COLOGNE
| James Murphy (IRL) | Moving Water | 2019 | 1’59 |
| Marcha Schagen (NLD) | Melt Less CO2 | 2019 | 3’48 |
| Abe Abraham (USA) | Salt Water | 2017 | 5’52 |
| Susanne Wiegner (DEU) | Sunrise | 2019 | 5’46 |
| Xia Han (CHN) | The Gift | 2019 | 14’23 |
| Claudia Borgna (ITA) | L’ultimo accordo I | 2016 | 6’05 |
| Carolin Koss (FIN) | Plastic Child | 2016 | 12’11 |
| Fran Orallo (ESP) | Death Dance | 2017 | 1′ |
| Isabel Perez del Pulgar (ESP) | Horizon | 2019 | 5’08 |
| Shon Kim (KOR) | Latent Sorrow | 2006 | 3’30 |
VISUALCONTAINER SELECTION CURATED BY ALESSANDRA ARNO’
| Rita Casdia (ITA) | Willy-nilly | 2019 | 3’17 |
| Sonia Armaniaco (ITA) | DoWeHeal | 2019 | 2’11 |
| David Anthony Sant (AUS) | EXPANSE | 2019 | 4’07 |
| Piero Chiariello (ITA) | Lights in London – forward_reverse 3 times D2A | 2018 | 2’21 |
| Eginhartz Kanter (AUT) | take away | 2018 | 6’42 |
| Angelina Voskopoulou (GRC) | Skin deep an hymn to eros | 2016 | 5′ |
| art vs film (DEU) Cristina Ohlmer (ITA/DEU)- Stefan Reisinger (DEU) | ASTROBLACK | 2019 | 17’48 |
“WATCH ME” VIDEOFORMES SELECTION CURATED BY GABRIEL V. SOUCHEYRE
| Agnès Guillaume (BEL) | Days after days / Gesture #6 | 2019 | 4’14 |
| Regina Hübner (AUT) | Kissing | 2020 | 6’50 |
| Phyllis Baldino (USA) | run the gamut | 2020 | 2’56 |
| Boris Labbé (FRA/JPN) | SIRKI | 2019 | 8′ |
| Susana Soares Pinto (PRT) | How to bend curves? | 2019 | 8’57 |
| Maxime Corbeil-Perron (CAN) | Displacement | 2019 | 8’50 |
| Patrick Bergeron (CAN) | Vent | 2019 | 8’10 |
| Bob Kohn (FRA) | You’re talking to me | 2018 | 4’24 |
| François VOGEL (FRA) | Erebeta | 2018 | 3’40 |
“DEATH, LIFE IS STALKING YOU!” ISTANTS VIDEO SELECTION CURATED BY MARC MERCIER
| Grace Schwindt (GBR) | The Birder | 2018 | 4′ |
| Pierre Carrelet (FRA) | Somewhere Eternity | 2011 | 5’36 |
| Abdoul-Ganiou Dermani (TGO/DEU) | Coronapocalypse | 2020 | 5′ |
| Judith Lesur (FRA) | (dé)nature | 2019 | 2’59 |
| Virginie Foloppe (FRA) | Olympe said to me : I didn’t loose my head | 2018 | 4’40 |
| Rosamaria E. Kostic Cisneros (SRB/ ESP/USA) | Truce | 2018 | 4′ |
| Albert Merino (ESP/FRA) | Bestiary | 2018 | 5’10 |
| Charles Pennequin (FRA) | Parle | 2016 | 3’23 |
| Mejd Hameed (IRQ) | Baghdad Photographer | 2017 | 3’16 |
| Ameneh Zamani (IRN) | Scarecrow | 2015 | 7’48 |
| Marc Mercier (FRA) | Corrida urbaine | 2008 | 3’15 |
| Rafeef Ziadah (PSE/GBR) | We teach life, Sir | 2011 | 4’39 |
“COLLECTIVE IS NEAR” NOW&AFTER SELECTION CURATED BY MARINA FOMENKO
| Gentle Women (Alexandra Artamonova, Evgeniia Lapteva) (RUS) | Utrica | 2017 | 7’45 |
| Roi Group (Anna Butenko, Antonina Gorbenko, Varvara Grankova, Lyuba Sautina, Victoria Chrenova) (RUS) | Weeds | 2017 | 6’36 |
| Marina Fomenko (RUS) | A Ball | 2018 | 7’50 |
| Badr El Hammami (FRA) | Memory #2 | 2012 | 2’50 |
| Meirav Heiman (ISR) | Living Room, Kitchen, Bedroom, Children’s Room | 2013 | 6’10 |
| Alexandra Mitlyanskaya (RSU) | School | 2018 | 4′ |
| Vivian Ostrovsky (USA) | The Title Was Shot | 2009 | 9′ |
“COLLECTIVE MEMORY OVER VIRTUAL” ADAF SELECTION CURATED BY EIRINI OLYMPIOU
| Abdoul-Ganiou Dermani (TGO/DEU) | Akaba-Mbele” (Tribal marks) | 2013 | 2’06 |
| Marika Papapostolou (GRC) | ECTASIS-ECTOPLASIS II | 2016 | 3’21 |
| Pablo-Martín Córdoba (ARG/ITA) | Postdigital flipbook | 2019 | 4’40 |
| Nэno Bэlchэv (BGR) | Metaphysical Grapefruit of Cognition | 2019 | 1′ |
| Volumetric Units (GRC) | TΗΕ ΖΟΝΕ | 2020 | 1’15 |
| Eremus (GRC) | Turmoil | 2020 | 7’54 |
| Jing Zhou (USA/CHN) | Through the Aleph: A Glimpse of the World in Real Time | 2017 | 3’50 |
| Myrto Amorgianou (GRC) | Datamoshed Elevator | 2018 | 1’37 |
| Sandra Crisp (GBR) | perpetual browse_r_2 | 2019 | 3’16 |
| Hugues Clément (CAN) | a u r o r a | 2019 | 4’57 |
| Kent Tate (CAN) | Landing Sites | 2015 | 5′ |
| Karoline Georges (CAN) | Emergence | 2020 | 5’39 |